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Our RED workflow is safe and efficient and the results are spectacular. Here are the highlights:
Original RED footage (raw
R3D data files) is backed-up
to LTO-4 tapes.
RED footage is transcoded to
ProRes QuickTime files for
editing in Final Cut Pro.
RED footage is conformed to
the locked ProRes cut.
The conformed project is
color graded, accessing the
wider dynamic range and
color space inherent in the
raw R3D data files.
The project is rendered and
output to the format(s) of our
clients’ choice.
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Evolve Post is an agile facility that keeps pace with technology. We work with all major tape formats including Digital Beta, DVCPRO-HD, HDCAM, D5 and HDCAM SR, and also have extensive experience with digital formats like P2, XDCAM EX and RED. Whatever the format, we are committed to providing the best possible picture quality.